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Selasa, 13 Januari 2015

Ebook Download Alberto Kalach: Work

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Product details

Paperback: 448 pages

Publisher: Arquine (April 23, 2019)

Language: English

ISBN-10: 6079489449

ISBN-13: 978-6079489441

Product Dimensions:

8.8 x 10.8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#98,064 in Books (See Top 100 in Books)

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Minggu, 11 Januari 2015

Download Ebook The Suttanipata: An Ancient Collection of the Buddha's Discourses Together with Its Commentaries (The Teachings of the Buddha)

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The Suttanipata: An Ancient Collection of the Buddha's Discourses Together with Its Commentaries (The Teachings of the Buddha)

About the Author

Bhikkhu Bodhi is an American Buddhist monk originally from New York City. Ordained in 1972 in Sri Lanka, where he lived for over twenty years, he was the long-time president and chief editor for the Buddhist Publication Society in Kandy. He currently resides at Chuang Yen Monastery in upstate New York. Renowned for his systematic and elegant translations of Buddhist texts, Venerable Bodhi has many important publications to his credit, including The Middle Length Discourses of the Buddha, The Connected Discourses of the Buddha, The Numerical Discourses of the Buddha, The Buddha’s Teachings on Social and Communal Harmony, and In the Buddha’s Words.

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Product details

Series: The Teachings of the Buddha

Hardcover: 1616 pages

Publisher: Wisdom Publications (September 26, 2017)

Language: English

ISBN-10: 9781614294290

ISBN-13: 978-1614294290

ASIN: 1614294291

Product Dimensions:

5.4 x 2.4 x 8.5 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#372,771 in Books (See Top 100 in Books)

As described in the summary of this book above, it is a translation of a very classic Buddhist scripture from the Pali Canon.I have only read a little bit of it but what I have read has made me believe this is an extraordinary book.Many of the suttas included are well known and listed elsewhere (including online), but this book includes a translation of the canonical commentaries, which are extremely enlightening. They supplement and describe each of the instructions in the suttas with great detail and elucidation. You could not find even one tenth of this information anywhere else.So far, I have only read the commentarial sections on the Lovingkindness Sutta (Metta Sutta) and the Discourse on Blessings (Maha Mangala Sutta). They enlighten these suttas so much, you will wish you had this book ten years ago. Really help bring them to life.Required reading for any serious student of Buddhism! Buy it!

This is the latest of Bikkhu Bodhi's translations of early Buddhist texts from the Pali language. It contains the complete text of the Suttanipata (about 200 pp.) as well as the traditional Pali commentary (nearly 1,000 pp!). The suttas (discourses by the Buddha) in this collection include some of the earliest recorded Buddhist documents. They are mostly in verse, often with a short prose introduction. You will find here most of what is taught in the Theravada Buddhist tradition, often in forms of expression and focus that predate later works from the four Nikayas. The commentary provides contextual stories for each sutta followed by a detailed explanation of terms and doctrinal interpretations of phrases and longer passages. It is extremely detailed: both exhaustive and, for me at least, exhausting. Bhikkhu Boddhi provides an excellent introduction and detailed footnotes throughout, focusing particularly on translation issues. I am no Pali scholar, so I cannot comment on the accuracy of the translation, but for those of you who do read the language, I would guess that Bikkhu Bodhi's comments regarding translation will be very useful. Certainly as English text the book reads well. The presentation is well organized, and the book itself is beautifully printed, and bound.

Many of us who studied Buddhism at an American university learned much about Mahayana Buddhism because of its prevalence in China, Japan, and Korea and the popularity of Zen from the 1950s onward. But the Pali texts are a major heritage for all Buddhists, not just those who study Theravada Buddhism. Personally, I find Bhikkhu Bodhi's translations and commentaries quite useful in deciphering the early texts. His translations are clear and he provide ample notes to explain concepts that are foreign to modern-day English speakers. This is a wonderful addition to one's collection of early suttas. It includes the famous Metta Sutta, the sutra on Loving Kindness.

I'm devoting my life to studying and following the practical instructions of Buddha in this volume.

Great purchase! As usual the word of Buddha is very insightful throughout this translation by Bhikkhu Bodhi. The only reason I'm not giving this book a 5 star is because I received it damaged do to poor shipping methods. This book is not inexpensive, so I was not happy to receive it in a box with my other order all bouncing around together; which caused damage to the dust cover.

Thank you V.V. Bhikkhu Bodhi for this translation. I was a little surprised/ disappointed to see "wandering like a rhinoceros horn" among the excellent- as -usual scholarly translation work by the Venerable Bhikkhu. The access to this canonical work however far outweighs any small detail in the awkward word choice.

So grateful to Bhikkhu Bodhi for his reverential, informed and clear editions of the Theravadan Pali texts, including this one; we are so fortunate to have him and his legacy of work!

A must read for anyone interested in Buddhism.

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Selasa, 09 Desember 2014

Free Ebook No Hero: The Evolution of a Navy Seal, by Owen, Mark Kevin Maurer

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No Hero: The Evolution of a Navy Seal, by Owen, Mark Kevin Maurer

Review

“Owen emphasizes the selflessness and service of his fellow SEALs, along with the lessons he learned, in a book that is sure to appeal to the many fans of in-the-trenches special forces memoirs.”—Publishers Weekly“Simple, well-told stories that will interest general readers and certainly anyone contemplating a career in special operations.”—Kirkus Reviews“Owen's writing is genuine and insightful....No Hero may have been intended for the next generation of SEALs, but the book's lessons can also be useful to civilians.”—Associated PressPraise for No Easy Day“This harrowing, minute-by-minute account by one of the highly trained members of Navy SEAL Team Six is narrative nonfiction at its most gripping....No Easy Day puts you right there for every tense moment.”—Entertainment Weekly “Gripping....There is no better illustration in No Easy Day that SEALs are ruthless pragmatists. They think fast. They adapt to whatever faces them. They do what they have to do.”—The New York Times“[Mark Owen] has given us a brave retelling of one of the most important events in U.S. military history.”—People “Make no mistake: No Easy Day is an important historic document.”—Los Angeles Times“A remarkably intimate glimpse into what motivates men striving to join an elite fighting force like the SEALS—and what keeps them there.”—Associated Press

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About the Author

MARK OWEN, author of No Easy Day and No Hero, is a former member of the U.S. Naval Special Warfare Development Group, commonly known as SEAL Team Six. In his many years as a Navy SEAL, he has participated in hundreds of missions around the globe, including the rescue of Captain Richard Phillips in the Indian Ocean in 2009. Owen was a team leader on Operation Neptune Spear in Abbottabad, Pakistan, on May 1, 2011, which resulted in the death of Osama bin Laden. Owen was one of the first men through the door on the third floor of the terrorist mastermind's hideout, where he witnessed Bin Laden's death. KEVIN MAURER has covered special operations forces for nine years. He has been embedded with the Special Forces in Afghanistan six times, spent a month in 2006 with special operations units in east Africa, and has embedded with U.S. forces in Iraq and Haiti. He is the author of four books, including several about special operations.

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Product details

Paperback: 304 pages

Publisher: Dutton; Reprint edition (November 3, 2015)

Language: English

ISBN-10: 0451472241

ISBN-13: 978-0451472243

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

429 customer reviews

Amazon Best Sellers Rank:

#45,356 in Books (See Top 100 in Books)

"No Hero" goes into Mark Owen's account of the main lessons he learned by being a Navy SEAL. Recommended by a book club I follow, I started reading it on a whim and got distracted by Thanksgiving, but could not wait to continue. Finished it the next week.The lessons he learns throughout his training are transferrable to the civilian world: focusing on what you can control, attention to detail during stress, and compartmentalization. In this day and age, too many people are concerned with what they can't control (celebrity marriages) instead of what they can control (health) and/or have a say in (politics). Reading this book reinforces what I read from 7 Habits, but by living through his assignments vicariously, it spurs me to actually ACT on the knowledge. Acquisition of knowledge is not as important as the application of knowledge.You can't be an effective SEAL for a decade without applying what you learn. What makes being an effective civilian any different?

"No Hero" is refreshingly self-effacing. This is the story of a SEAL who's afraid of heights and who doesn't like the water. His account of getting stuck and freaking out while rappelling high on a rock precipice is funny as hell. I'm sure I will always remember the advice he got from his ex-con instructor high up on that cliff -- about staying in a three-foot world -- and it already has come in handy.This book has a contemplative and fearlessly veracious writer at the helm. It opens not with SEAL team derring-do, but with two SEALs sitting in the dark on a backyard deck in Virginia Beach learning by text messages that a dozen of their SEAL buddies were just killed in Afghanistan. The names slowly trickle in on cell phones over the course of the night and a 12-pack.SEAL books tend to be rah-rah stories that depict mythic superheroes, caricatures with no human frailties (Dick Couch books come to mind, but I still read them). And most are written on a high school level. These authors say they're writing to inspire young men, so maybe their books are simplistic by design. But for this adult, the cool guns, exciting maneuvers and the well-known hell of SEAL training are entertaining but ultimately just a fast read with very little to think about.I don't expect SEALs to earn a Pulitzer along with their Silver Stars, but if I were their editor, I would ask them to dig deeper.Owen, on the other hand, goes beyond the firefights, and describes the aftermath -- the nightmare scenario of a cat licking a dead man's blood while a child looks on is just one scene among many of war's cascading horrors. This is a well-written book that stays with you long after you put it down.I very much appreciate that he showed black bars where the military censors redacted sentences, paragraphs and pages. Looks like they took out all references to DEVGRU. Why? I respect more than ever Owen's uncensored "No Easy Day." Who knows what the military would have taken out of that book. In my humble opinion, Owen is an American citizen first and seal second and he had a First Amendment right to give Americans the only written first-person account of this important event in history. And every American has the right to read an unexpurgated account of the capture of the country's No. 1 enemy, particularly after the muddled and differing versions given by the government. I thank Owen for having the courage to write "No Easy Day." I hope his lawyers have asked for support from the ACLU.Looks like Owen has a writing swim buddy in Kevin Maurer, a combat journalist. I just read Maurer's "Gentlemen Bastards: On the Ground in Afghanistan with America's Elite Special Forces," a fascinating description of their day-to-day frustrations.I'm still waiting for the SEAL book that shines a light on darker personal realities such as how SEALs deal with the pain of a constantly abused body. And how it feels to go home to a wife they've only seen for a few weeks scattered over years, a stranger they can't possibly know in any real sense. What about the abuse of alcohol and drugs? We only hear about it when two former SEALs OD in the Seychelles.Meanwhile, "No Hero" is great. Buy it. SEALs including Owen ARE heroes and I'm in awe that they do, at great personal costs, what the rest of us can't and won't do. Any book they write is welcome. We all need to know more about our country's longest war.I'm looking forward to reading more of Owen's books. Dig deep.

Mark Owen delivers again in this satisfying volume, covering a variety of stories from his life in the Teams with pertinent lessons that are applicable to any walk of life.I've read a number of books written by former SEALs, and while they are all good, Owens does a great job of connecting with the average civilian reader and making life in special operations accessible for those of us with no military background. I read No Easy Day before this, and both are comparable reads written in a conversational style that can be finished in a few days. I really felt like he was just telling me stories over a few beers.While I do wish he went into more detail at times, I understand he had some legal hassles after his first book and memoirs such as these tend to be sanitized pretty heavily of all the classified details. You can read between the lines and figure out what was edited, and I thought it was a nice jab at the DoD to leave the blacked-out text in the book, just to give you a sense of how ridiculous some of the censorship is.In my opinion Owen is a stand up guy who wants his stories and the stories of his teammates told right. At no point in his two books is he self-righteous or taking you on an ego-trip; he clearly states he is no better or worse than any other SEAL and he's just giving you his account of his life in the Teams and some of the lessons he learned. I think it's a great motivational book for any young guy considering becoming a SEAL and should be added to your essential reading list of former SEAL literature.

I have enjoyed every chapter of this book, as it showed a clear evolution of a navy SEAL from a tactical and personal aspect (which sometimes reflected an emotional aspect of it), which has been portrayed in an excellent balance. I have learned so many new personal tactics on how to deal with stress, focusing on what you can affect (3-foot world), compartmentalization, and others.The writer sincerely showed us how dedication and hardworking, with willpower and talent can develop a powerful and leading person in one of the best special forces in the world. This alone brings a rush of motivation and drive for a seeking individual...What I have realized missing is input from other individuals. There have been some criticism on the forces leadership, and the rules of engagement, but it was almost all from his aspect. I would have been interested by the leadership's perspective on such topics/issues.I have found this book more appealing than Mark's first book (No Easy Day). If you want to read both books, start with No Easy Day followed by No Hero. But if you want to read only one, then I suggest No Hero.

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Selasa, 25 November 2014

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About Town: The New Yorker and The World It Made (First Edition), by Ben Yagoda

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"The New Yorker will be the magazine which is not edited for the old lady in Dubuque." This now-famous line first appeared in the prospectus Harold Ross wrote for a humor magazine he was hoping to start, and, in fact, epitomized the publication's early years. For, as contributing editor E.B. White once ruefully wrote in response to a query about what kind of submissions were wanted, "I myself have only the vaguest idea what sort of manuscripts The New Yorker wants. I have, however, a pretty clear idea of what it doesn't want." Plenty of books have been written about The New Yorker over the years--many by people who were intimately connected with it. Ben Yagoda's About Town is the first, however, to concentrate on the magazine itself, rather than the personalities who shaped it. In his introduction Yagoda writes: "What I had in mind was a critical and cultural history. It would consider, first, the content of the magazine--how its original form came to be, and how and why it evolved over the years. Second, I would look at the role the New Yorker has played in American cultural life." Yagoda is as good as his word as he takes readers from the founding of the magazine in 1919 up until 1987, the year William Shawn was forcibly retired from his position as editor in chief. An epilogue covers the Robert Gottlieb, Tina Brown, and David Remnick years, but the author considers that with Shawn's departure, the curtain came down on The New Yorker as "a unique and influential institution in our culture." Of course devotees of Harold Ross's brainchild could be expected to eat this book up, but About Town is more than just the story of how a magazine was made. Yagoda provides a window on a lost age--New York in the '20s, '30s, and '40s before the advent of television, when magazines and newspapers were at the center of the nation's cultural and intellectual life. He writes well, evoking the times, the people, and the places with such clarity that Harold Ross himself would have been pleased. And it is to Ross that Yagoda and the reader owe much of About Town, for it seems The New Yorker's founding editor kept meticulous records--as did those with whom he worked. When S.I. Newhouse took control of the magazine in 1985, its editorial files--all 2,500 archival boxes of them--ended up at the New York Public Library. Letters from editors to writers and vice versa, minutes from art meetings, memos, editorial queries, and marked-up manuscripts are the raw materials from which Yagoda shapes his story, and he tells it so well that it often reads like a novel. The section dealing with the magazine's decision to run John Hersey's Hiroshima in its entirety is positively gripping. But perhaps the best thing about About Town--for those readers who, like Alice in Wonderland, demand pictures and conversations in their stories--is the plethora of memorable quotes (and even a few photographs) that bring to life The New Yorker in its heyday. Consider this letter from Vladimir Nabokov concerning a short story the magazine had bought: A man called Ross started to "edit" it, and I wrote to Mrs. White telling her that I could not accept any of those ridiculous and exasperating alterations (odds and ends inserted in order to "link up" ideas and make them clear to the "average reader"). Nothing like it has ever happened to me in my life. Or this snippet from Ross's letter to H.L. Mencken: "We have carried editing to a very high degree of fussiness here, probably to a point approaching the ultimate. I don't know how to get it under control." Lovers of The New Yorker can thank their stars that Harold Ross never did get his fussiness under control. And they can thank Ben Yagoda for writing this comprehensive and satisfying biography of one of America's most enduring literary institutions. --Alix Wilber

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From Publishers Weekly

Based on the recently opened New Yorker archives, Yagoda's compelling if slow-moving volume follows the workings and fortunes of the famous weekly magazine. Yagoda begins in 1924, just before the New Yorker's start as a humor journal. Founder Harold Ross's stylistic conservatism, his meticulous editing and his ability to delegate authority helped build up the magazine, creating what Yagoda considers its Golden Age in the late 1930s. WWII gave it new reach and seriousness. William Shawn's ascent to editor-in-chief in 1951 brought, at first, a prosperous complacency; his devotion to serious, long essays, and editor Roger Angell's eye for new fiction, created in the '70s, Yagoda argues, the magazine's second great period. But Shawn's eccentric secretiveness, his odd financial arrangements with writers and his unwillingness to allot power laid the grounds for the New Yorker's latter-day troubles. (A brief epilogue covers events after 1987, the year of the 79-year-old Shawn's dismissal.) "Whole new graphic and literary genres"--the long profile, John O'Hara's short stories, James Thurber's humor, Roz Chast's cartoons--"would not have come to be without the New Yorker"; Yagoda shows why and how they arose. Rich details illuminate the careers of essayists, humorists, critics and journalists, short story writers and cartoonists. Combining anecdote, biography, literary history and a serious look at the business side of the magazine, Yagoda (Will Rogers: A Biography) explores "the New Yorker as an institution," its "effect on the creative artists linked to it" and the way the magazine came to epitomize "the educated American middle and upper-middle classes"; all three stories emerge and shine. 8 pages illus. (Feb.) Copyright 2000 Reed Business Information, Inc.

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Product details

Hardcover: 480 pages

Publisher: Scribner; First Edition edition (February 28, 2000)

Language: English

ISBN-10: 0684816059

ISBN-13: 978-0684816050

Product Dimensions:

6.5 x 1.8 x 10 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#1,461,480 in Books (See Top 100 in Books)

Long before David Remnick was a bright and talented schoolboy in River Vale, NJ the New Yorker and its leadership were setting the standard of what good writing should be. It turns out that he is a worthy successor to those editorial giants. H may very well surpass them.

The book was delivered quickly and it was in the promised condition. Looking forward to reading it. As soon as I finish the other three books in front of it in the queue.

There are two types of writers: those who aspire, no, dream of being published in the "New Yorker", and those who, after several rejections, bitterly deride the very institution they hoped to conquer. I am solidly of the first camp, though give it a few years and I might be a latter-day grouch.The work of Ben Yagoda brings the magazine alive, from the heyday of such luminaries as Thurber and White to the tough war years, right up through the Shawn era and even right up to (for 1999) the present. Through it all, Yagoda examines the many lives who devoted themselves to this literary exercise in humor and good faith. The most compelling character studies, however, are the two main editors throughout the magazine's history, Harold Ross and William Shawn.Ross, who founded the magazine in 1925 and managed it through its first twenty-six years, comes across as a gruff, thoroughly Western man who nonetheless saw the need for a magazine like "The New Yorker", and brought it to being through sheer will and fortitude. He also happened to publish significant works by James Thurber, E.B. White, and J.D. Salinger among others. Shawn, taking the reins after Ross's death in 1951, saw the magazine through 30+ years of challange and triumph, only to be forced out in 1987. Throughout the book, Yagoda makes these men the central focus of his tale, but he includes brief looks at literary and other lights of the twentieth century, some who did get published (like Donald Barthleme, Veronica Geng, and John Updike) and some who didn't (Tom Wolfe, whose scandelous expose on the magazine shook it out of its fuddiness).Overall, the book looks fondly back at the magazine's past, with a hint that it might never reach the same heights of importance it once had. That may very well be, but there's still something to be said for a magazine that is such an institution no one could imagine starting a writing career without considering the possibility of submitting to it."The New Yorker" is still the premier magazine in America, and this book explains why, after almost a century, it still carries the weight it does.

There are at least two ways to view Ben Yagoda's book ABOUT TOWN: 1) as the history of The New Yorker Magazine, how it was conceived and developed and changed over time, and 2) as a social document reflecting its times. The subtitle of the book "and the World it Made" does not seem quite as accurate unless one considers that "world" to be the corporate culture created by the staff led by Ross and Shawn, the two longtime editors who built the magazine. The New Yorker certainly has influenced the world within which it existed along with many other magazines.Harold Ross, the founder and first editor of the magazine, with the help of Katherine and E.B.White, Thurber, Dorothy Parker, and many other fine editors and writers launched the magazine in the 1920s. The sophisticated and literary focus of the magazine soon captured the fancy of New Yorkers. During the hard days of the depression the magazine actually gained subscribers as readers enjoyed the humorous repartee and cartoons that helped them laugh at their troubles. Many new readers learned of the magazine during WWII as it was handed around the barracks. The GI bill produced many educated readers who remembering their wartime contact with the magazine now subscibed to it. Following WWII, the magazine included more and more "social conscience" articles, for example, John Hershey's essay on "Hiroshima."Ross died in the early 1950s, and during the fifties under the editorship of William Shawn, the magazine became relatively banal according to Yagoda who says it appealed to stay-at-home wives who enjoyed articles that reminded them of their college days (among other pieces, Mary McCarthy's tales of her Italian travels were featured). In the 1960s, the magazine once again became more vocal about social issues and the environment.Yagoda says the best years of the magazine came in the 1970s when writers like Woody Allen wrote wonderful wacky pieces and investigative journalists covered the scandals inWashington. Following a downturn in subscriptions in 1980s, the magazine was purchased by a media mogul and William Shawn departed. With Tina Brown's arrival, the magazine metamorphed into a Conde Nast publication. Garrison Keillor's comments about Brown's arrival (as he left) are amusing.Over the years, I have read John Updike, Alice Munro, Jamaica Kincaid, Katherine White, and many of the writers who once wrote for the New Yorker. When I was a child, my mother used to quote Dorothy Parker regularly ("Rivers are damp..."), but I had no idea Parker wrote for The New Yorker until years later (we lived in a rural area and subscribed to the Progressive Farmer!!). When I read Rachel Carson's SILENT SPRING, it changed my life, but I read it in book form when it was first published as a Book of the Month Club selection. I only became aware of The New Yorker magazine when I was in my thirties and a college writing instructor suggested it. Yagoda says many people discovered the magazine when they were students.As a social document, The New Yorker articles very much reflect the times, and to some extent, at least under Ross, the magazine seemed to be ahead of the times. In reading this book, I was reminded of National Public Radio, which seems to be the main innovator in broadcast journalism these days--though I am told there are all sorts of happenings on the Internet. The in-depth news stories, the essays by various knowledgeable citizens, the political commentaries and Garrison Keilor are all comparable to The New Yorker magazine.If you are interested in a snapshot of the 20th Century from an educated New Yorker magazine perspective, or in writing and magazine development in general, you will find much of interest in this book. The tales concerning the origins of many innovative features of the magazine are quite good.Yagoda suggests the magazine pretty much ended with Shawn's departure in the late 1980s. He devotes eight pages at the end of the book to the three editors who followed Shawn. He says the median age of the readership grows older every year (not replacing subscribers) and most of current readership as such is owing to the retention of loyal readers. He quotes some of these readers who no longer actually read the magazine but have not given up their subscriptions. His book goes a long way toward explaining to me why I dropped my subscription a few years ago.

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Minggu, 23 November 2014

Free Download , by Lori Haskins Houran

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Product details

File Size: 2120 KB

Print Length: 32 pages

Publisher: HarperCollins (March 20, 2012)

Publication Date: March 20, 2012

Sold by: HarperCollins Publishers

Language: English

ASIN: B00A9V2IWI

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#105,010 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Jumat, 31 Oktober 2014

Download Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid

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Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid


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Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid

About the Author

Stuart Reid was born in Aberdeen in 1954 and is married with two sons. He has worked as a librarian and a professional soldier and his main focus of interest lies in the 18th and 19th centuries. This interest stems from having ancestors who served in the British Army and the East India Company and who fought at Culloden, Bunker Hill and even in the Texas Revolution.His books for Osprey include the highly acclaimed titles about King George's Army 1740-93 (Men-at-Arms 285, 289 and 292) and the British Redcoat 1740-1815 (Warriors 19 and 20).

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Product details

Series: Men-at-Arms (Book 472)

Paperback: 48 pages

Publisher: Osprey Publishing; First Edition edition (September 20, 2011)

Language: English

ISBN-10: 1849085072

ISBN-13: 978-1849085076

Product Dimensions:

6.2 x 0.2 x 9.2 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

2.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,293,622 in Books (See Top 100 in Books)

I was looking forward to this volume greatly, since the French landing in Ireland in 1798 provides history with its only example of a Napoleonic campaign fought in the UK, but Stuart Reid's Armies of the Irish Rebellion 1798 comes up fairly short. While there are useful tidbits of information, they are almost entirely about the Anglo-Irish forces, not the Irish rebels or the French. Indeed, Reid almost misses including the French in the volume at all and is content to fob them off as ineffective. Instead, this volume is primarily about the British Army in Ireland and its associated local troops (Yeomanry, militia, fencibles). Overall, I found this volume too parochial and pro-British, which has appeared in some of Stuart's earlier books on Culloden. The author begins the volume by providing a brief background on the United Irishmen, followed by a 4-5 page campaign chronology (Humbert's landing in Killala gets exactly five sentences here). Afterwards, the author discusses the organization and training of the British Army in Ireland, beginning with the regulars and moving into the lower species, militia, yeomanry and fencibles. Along the way, the author does make some good points, such as that at the start of the war with France in 1793 one-third of the British army was in Ireland. The manner in which Scots and Irish Catholics were recruited for service in Ireland is also interesting, although it doesn't tell us much about the campaign of 1798. However, the biggest disappointment is that the author provides no order of battle for either the campaign as a whole or even battles such as Castlebar. Thus, if you want to find out which units were involved in defeating the French invasion, this volume is nearly useless. The Irish rebels are covered in only six pages and much of the information appears based upon British stereotypes. Are there no Irish historical studies on the rebels, Mr. Reid? Amazingly, the French forces are covered in just two pages of text and much of what appears is poorly researched. First, the author focuses on the so-called Black Legion and the earlier Fishguard expedition, which really had nothing to do with the 1798 landings in Ireland. Second, the author clearly did not use Sarrazin's La Descente des Francais en Irlande 1798, which was re-printed in 1998. Humbert's 2-week campaign in Ireland was doomed, but his victory at Castlebar deserves more than the sentence or two it gets here. Oddly, even General Cornwallis, the victor at Ballinimuck, is virtually ignored. While the author mentions rebel massacres of loyalists, he barely addresses the harsh measures enacted upon the Irish as a result of the '98 (Stuart did the same for the Scottish and the '45). Essentially, this is another one of Reid's volumes on the Eighteenth Century British Army, with a smidgeon about the 1798 campaign worked in.

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Sabtu, 11 Oktober 2014

PDF Ebook They All Saw a Cat, by Brendan Wenzel

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They All Saw a Cat, by Brendan Wenzel

They All Saw a Cat, by Brendan Wenzel


They All Saw a Cat, by Brendan Wenzel


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They All Saw a Cat, by Brendan Wenzel

About the Author

Brendan Wenzel is an illustrator based in Brooklyn, New York. A graduate of the Pratt Institute, his work has appeared internationally in children's books, animations, and magazines. They All Saw a Cat is his debut as both author and illustrator.

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Product details

Age Range: 5 - 6 years

Grade Level: Preschool - Kindergarten

Lexile Measure: AD310L (What's this?)

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literalContent: 'A Lexile® measure represents either an individual's reading ability (a Lexile reader measure) or the complexity of a text (a Lexile text measure). Lexile measures range from below 200L for early readers and text to above 1600L for advanced readers and materials. When used together Lexile measure help a reader find books at an appropriate level of challenge, and determine how well that reader will likely comprehend a text. When a Lexile text measure matches a Lexile reader measure, this is called a "targeted" reading experience. The reader will likely encounter some level of difficulty with the text, but not enough to get frustrated. This is the best way to grow as a reader - with text that's not too hard but not too easy.',

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Hardcover: 44 pages

Publisher: Chronicle Books (August 30, 2016)

Language: English

ISBN-10: 1452150133

ISBN-13: 978-1452150130

Product Dimensions:

9.5 x 0.5 x 11.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

303 customer reviews

Amazon Best Sellers Rank:

#2,481 in Books (See Top 100 in Books)

This book is really amazing. I'm a sucker for new picture books for my 3.5 year old son. I prefer books with at least a subtle message of social awareness. This cat book we read for the first time tonight and my son immediately wanted to read it again. The words are very simple, but there is a story. The phrasing is repetitive, which is nice for my son because he likes to contribute and quickly figured out the pattern, if you can even call it that and recite the story. The illustrations really make the book. During the first reading, it was hard for my son to always see that each depiction was (really, I promise!) the cat. The message here is that a single being appears different depending on the perspective of the viewer. It's a really lovely message for young children done in a brilliant, simple, engaging way. This is one of my new favorites.

I am a retired early childhood art teacher. Every illustration in this book stands alone as a piece of art while serving as a wonderful manual to encourage young minds to enjoy and hone their natural observation skills. The story demonstrates without preaching, the fact that every pair of eyes sees the world in their own different way (even their peers). It may also be your kid's first zoology book, since it accurately shows the difference in each animal's capabilities of vision and sense perception. In clear and unfussy language the child gets to travel above ground, underground, fly a bit and go underwater. They will want to do that many times.

It’s funny. Unless you’re a teacher or librarian, a grown adult that does not work or live with children will come into very little contact with picture books. Then, one day, they produce a few kids and BLAMMO! They are shot into a world they haven’t visited since they were young themselves. They grab frantically at the classics, discover that a lot of them don’t work with very very young children (since when did “Horton Hatches the Egg” have so many words?!?), and then occasionally turn to the experts for help. And why? Parents’ reasons are not united on this front. Some read to their kids to instill a love of reading. Others to build little brains. Others to simply fill the long hours of the day. Occasionally a parent will also use a book to teach some kind of a lesson. If the parent is unlucky they will get stuck with a book sticky with didacticism (an unpleasant book that sucks all the joy out of the reading experience). But if they are lucky (or they are in the hands of a capable professional) they might find just the right book, teaching just the right lesson. Here’s an example: Let’s say you wanted to teach a kid empathy or how our perceptions change depending on our own experiences and who we are. How do you show that in 32 pages? Well, you could pick up some cloying, toxic dribble that overuses words like “hugs” and “friendship”. Nine times out of ten, that’s what’s going to happen. Or, if you are a clever parent, you pick up a book like “They All Saw a Cat”. It looks at first glance like it’s just about a cat. Delve a little deeper and you’ll find it about science and art and perception and empathy. And it does it all with very simple sentences, repetition, and a lot of white backgrounds. Not too shabby. Not too shabby at all.“The cat walked through the world, with its whiskers, ears, and paws . . .” In that walking it is seen. It is seen by a child, a dog, and a fox. It is seen by a fish, a mouse, and a bee. It is seen by a bird, a flea, a snake, a skunk, a worm, and a bat. And what's important is that this “seeing” changes with every creature. For mice and dogs, the cat is perceived through the lens of their own interactions with it. For worms and bats the cat is only visible through the ways in which it moves through space (vibrations through the ground and the ways in which echolocation shape it). By the end we see a hodgepodge cat, a mix of how each animal sees it. Then the cat comes to the water, viewing its own reflection, “and imagine what it saw?”The book this actually reminded me of the most was that old Rudyard Kipling story “The Cat Who Walked By Himself”. Unlike that tale we never really get this book from the cat’s perspective. Indeed, the cat is often only visible when others see him. The similarity to Kipling comes with the language. That very first sentence, for example: “The cat walked through the world, with its whiskers, ears, and paws . . .” And as in the original art for that story, the cat here is often pictured from the back. There’s a lot of debate about whether or not a book written by one person and illustrated by another can ever be as strong as a book that is written and illustrated by the same artist. “They All Saw a Cat” makes a fairly strong argument that artist who are also authors are the better way to go. Wenzel’s sentences are so perfectly layered here. If anything, they match the personality of a cat. There aren’t many words, true. But the measured tone is at once soothing and scintillating. I liked how the book broke up the animals. The first three are potential predators. The second three are potential prey. The final six are strict observers. It also ends perfectly with the best possible sentence. Not all picture books, no matter how beautiful they look, are capable of sticking their landings. This one does.In this book the publication page (where they tend to describe the artist’s process) gets a little slaphappy. It reads (and I am quoting this precisely), “The illustrations in this book were rendered in almost everything imaginable, including colored pencil, oil pastels, acrylic paint, watercolor, charcoal, Magic Marker, good old number 2 pencils, and even an iBook.” The other day I was listening to a podcast where one of the speakers speculated that including this kind of information in a book changes the adult reader’s perspective. Would I think less of this book if I found out it was done in digital ink? Possibly, though I should note that I was blown away by the art long before I ever turned to see how it was made. And while digital art is great and has its place, I’d like to see the program that replicates what Wenzel’s done here.The sheer beauty of the book is what strikes you first when you read it. Consider the two-page spread where on the left-hand side you see the cat through snake vision, and on the right-hand side you see the cat through skunk vision. The snake’s view is a vibrant shock of color, all yellows and reds and blues. The skunk’s in contrast, looks like the soft grainy sepia-tones of an old film. Maybe “Casablanca”. Put together, side-by-side, the same cat is its own opposite. But if Wenzel were constantly wowing you with eye-popping images that wouldn’t really support the narrative flow. That’s why the pacing of the book is key. Wenzel starts the book out very slowly, with lots of white backgrounds and views akin to what we see as people. The child, dog, and fox all see the cat similarly (though I loved the oversized bell around its neck, indicating the fox and dog’s superior sense of hearing through a visual medium). The fish is the first moment you start to separate from human visuals. The cat’s large, yellow eyes are 80% of the two pages. But it is the mouse’s Basquiat-esque view of the cat that steals the show. The red background, and the cat all teeth and claws, and terrifying eyes is a far cry from the cuddly creature at the start of the story. It’s also the moment when the child readers come to realize that perception is personal.An interesting criticism of this book is linked precisely to the more science-y aspects of the text. One of the commenters on a blog post I wrote, that included this book, said that, “I desperately wanted some nice science-y back matter to tell us how and why different animals see the cat the way they do. Sure, we can go OH, this animal must be colorblind! This animal ‘sees’ by sonar! But c’mon, throw us an edu-bone here. It felt like such a missed opportunity.” This is an interesting note. We’ve grown used to useful backmatter in this post-Core Curriculum world of ours. Would this book have been stronger if it had contained a science element to it? Yes and no. It would have been a real boon to teachers, you betcha, and probably to perceptive parents who could have turned it into a lesson for young readers. If I had to guess I’d say the reason it wasn’t done may have had something to do with the fact that Wenzel is mixing his fact and fiction here pretty closely. Each animal is “seeing” as it would in the wild, but that is not to say that the art is by any means scientific. The cartoonish quality to the animals (no better exemplified than in the mouse’s bulbous eyes) doesn’t hold up to close scrutiny. I would have very much liked notes on the accuracy of the art, but I can understand the fear of asking the reader to take the work too seriously. I don’t necessarily agree, but I understand it.How do you discuss this book with kids? Well, you might read it to them, start to finish, and then ask them which picture shows what the cat really looks like. When they select (some will go with the human view but I’ve no doubt a couple will prefer the dog or bird p.o.v.s) you then tell them that actually all the pictures in this book are true. And if you really want to blow their little minds, you tell them that there’s a good chance that the way you see the world isn’t the same way the person next to you does. Everyone, everywhere sees the world different from his or her neighbor. Is it any wonder we have problems? The solution is to try and see things from another person’s view. Now, if the kids think you’re speaking literally or figuratively, it doesn’t really matter. You’ve planted the seed. Or, rather, the book has.Let us do away with the notion of “cat people” vs. “dog people”. This book is for “people”. End of sentence. And if I got a little crazy in my first paragraph here, filling you in on my view of world peace via picture books, you’ll understand when you read this book. That tired old phrase to “walk a mile in someone else’s shoes” makes no sense to a kid. But travel a page through another animal’s eyes? There’s never been a better fictional picture book that allows you to do this. If we all see something as simple as a cat this differently, what else might we not see the same? It’s a treat to eye, ear, and mind, but don’t forget. We’re all going to see this book through our own lenses. What will your kids see when they look at it? Only one way to find out.For ages 4-7

I got this for my 5 year old as a gift to celebrate his first day of kindergarten. He's all about trucks and dinosaurs, but when I read this he became fully absorbed by the different perspectives of each creature encountered by the cat. I had to throw in some extra lines to keep the story going, but what a lovely picture book! I wanted to share with my son that out in the big world everyone has a story and different ways of seeing and experiencing things. I'm very glad this book helped me deliver that message. Thanks Brendan Wenzel!

I read this book to a group of pre-schoolers ( ages 3-5-ish) and they were entranced...Many of them seemed to understand that it was different points of view, same cat: some thought ( out loud, as kids this age do!) that it was different cats...but all "got" it. I was surprised that these kids knew about skunks (nothing like that here in NZ!) but they all resonated! And the illustrations are pure genius...they will be adding that book to their library ( I ignored hints that I should leave my copy behind: I want the continuing joy of reading it to my grandchildren!)

Enchanted by the pre-publication book trailer, I ordered 6 copies of this book. One for my library and the others as gifts for children. Lucky kids!The poetic words and beautiful illustrations create a magical study on perception, point of view, curiousity, and imagination.The publisher, Chronicle Books, offers a free activity kit and discussion to download. Don't miss it! There is drawing, a cat mask, coloring, and a pin the collar on the cat game.[...]

this book has beautiful artwork and shows the cat looking different from a bunch of different animals' perspectives. It gives me 2.5yro something to think about and she loves the colors. Since the words are relatively repetitive (the dog saw a cat...the bat saw a cat...), it's easy for her to "read" it herself and study each word.

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