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Jumat, 31 Oktober 2014

Download Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid

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Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid

Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid


Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid


Download Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid

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Armies of the Irish Rebellion 1798 (Men-at-Arms), by Stuart Reid

About the Author

Stuart Reid was born in Aberdeen in 1954 and is married with two sons. He has worked as a librarian and a professional soldier and his main focus of interest lies in the 18th and 19th centuries. This interest stems from having ancestors who served in the British Army and the East India Company and who fought at Culloden, Bunker Hill and even in the Texas Revolution.His books for Osprey include the highly acclaimed titles about King George's Army 1740-93 (Men-at-Arms 285, 289 and 292) and the British Redcoat 1740-1815 (Warriors 19 and 20).

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Product details

Series: Men-at-Arms (Book 472)

Paperback: 48 pages

Publisher: Osprey Publishing; First Edition edition (September 20, 2011)

Language: English

ISBN-10: 1849085072

ISBN-13: 978-1849085076

Product Dimensions:

6.2 x 0.2 x 9.2 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

2.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,293,622 in Books (See Top 100 in Books)

I was looking forward to this volume greatly, since the French landing in Ireland in 1798 provides history with its only example of a Napoleonic campaign fought in the UK, but Stuart Reid's Armies of the Irish Rebellion 1798 comes up fairly short. While there are useful tidbits of information, they are almost entirely about the Anglo-Irish forces, not the Irish rebels or the French. Indeed, Reid almost misses including the French in the volume at all and is content to fob them off as ineffective. Instead, this volume is primarily about the British Army in Ireland and its associated local troops (Yeomanry, militia, fencibles). Overall, I found this volume too parochial and pro-British, which has appeared in some of Stuart's earlier books on Culloden. The author begins the volume by providing a brief background on the United Irishmen, followed by a 4-5 page campaign chronology (Humbert's landing in Killala gets exactly five sentences here). Afterwards, the author discusses the organization and training of the British Army in Ireland, beginning with the regulars and moving into the lower species, militia, yeomanry and fencibles. Along the way, the author does make some good points, such as that at the start of the war with France in 1793 one-third of the British army was in Ireland. The manner in which Scots and Irish Catholics were recruited for service in Ireland is also interesting, although it doesn't tell us much about the campaign of 1798. However, the biggest disappointment is that the author provides no order of battle for either the campaign as a whole or even battles such as Castlebar. Thus, if you want to find out which units were involved in defeating the French invasion, this volume is nearly useless. The Irish rebels are covered in only six pages and much of the information appears based upon British stereotypes. Are there no Irish historical studies on the rebels, Mr. Reid? Amazingly, the French forces are covered in just two pages of text and much of what appears is poorly researched. First, the author focuses on the so-called Black Legion and the earlier Fishguard expedition, which really had nothing to do with the 1798 landings in Ireland. Second, the author clearly did not use Sarrazin's La Descente des Francais en Irlande 1798, which was re-printed in 1998. Humbert's 2-week campaign in Ireland was doomed, but his victory at Castlebar deserves more than the sentence or two it gets here. Oddly, even General Cornwallis, the victor at Ballinimuck, is virtually ignored. While the author mentions rebel massacres of loyalists, he barely addresses the harsh measures enacted upon the Irish as a result of the '98 (Stuart did the same for the Scottish and the '45). Essentially, this is another one of Reid's volumes on the Eighteenth Century British Army, with a smidgeon about the 1798 campaign worked in.

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Sabtu, 11 Oktober 2014

PDF Ebook They All Saw a Cat, by Brendan Wenzel

PDF Ebook They All Saw a Cat, by Brendan Wenzel

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They All Saw a Cat, by Brendan Wenzel

They All Saw a Cat, by Brendan Wenzel


They All Saw a Cat, by Brendan Wenzel


PDF Ebook They All Saw a Cat, by Brendan Wenzel

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They All Saw a Cat, by Brendan Wenzel

About the Author

Brendan Wenzel is an illustrator based in Brooklyn, New York. A graduate of the Pratt Institute, his work has appeared internationally in children's books, animations, and magazines. They All Saw a Cat is his debut as both author and illustrator.

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Product details

Age Range: 5 - 6 years

Grade Level: Preschool - Kindergarten

Lexile Measure: AD310L (What's this?)

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Hardcover: 44 pages

Publisher: Chronicle Books (August 30, 2016)

Language: English

ISBN-10: 1452150133

ISBN-13: 978-1452150130

Product Dimensions:

9.5 x 0.5 x 11.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

303 customer reviews

Amazon Best Sellers Rank:

#2,481 in Books (See Top 100 in Books)

This book is really amazing. I'm a sucker for new picture books for my 3.5 year old son. I prefer books with at least a subtle message of social awareness. This cat book we read for the first time tonight and my son immediately wanted to read it again. The words are very simple, but there is a story. The phrasing is repetitive, which is nice for my son because he likes to contribute and quickly figured out the pattern, if you can even call it that and recite the story. The illustrations really make the book. During the first reading, it was hard for my son to always see that each depiction was (really, I promise!) the cat. The message here is that a single being appears different depending on the perspective of the viewer. It's a really lovely message for young children done in a brilliant, simple, engaging way. This is one of my new favorites.

I am a retired early childhood art teacher. Every illustration in this book stands alone as a piece of art while serving as a wonderful manual to encourage young minds to enjoy and hone their natural observation skills. The story demonstrates without preaching, the fact that every pair of eyes sees the world in their own different way (even their peers). It may also be your kid's first zoology book, since it accurately shows the difference in each animal's capabilities of vision and sense perception. In clear and unfussy language the child gets to travel above ground, underground, fly a bit and go underwater. They will want to do that many times.

It’s funny. Unless you’re a teacher or librarian, a grown adult that does not work or live with children will come into very little contact with picture books. Then, one day, they produce a few kids and BLAMMO! They are shot into a world they haven’t visited since they were young themselves. They grab frantically at the classics, discover that a lot of them don’t work with very very young children (since when did “Horton Hatches the Egg” have so many words?!?), and then occasionally turn to the experts for help. And why? Parents’ reasons are not united on this front. Some read to their kids to instill a love of reading. Others to build little brains. Others to simply fill the long hours of the day. Occasionally a parent will also use a book to teach some kind of a lesson. If the parent is unlucky they will get stuck with a book sticky with didacticism (an unpleasant book that sucks all the joy out of the reading experience). But if they are lucky (or they are in the hands of a capable professional) they might find just the right book, teaching just the right lesson. Here’s an example: Let’s say you wanted to teach a kid empathy or how our perceptions change depending on our own experiences and who we are. How do you show that in 32 pages? Well, you could pick up some cloying, toxic dribble that overuses words like “hugs” and “friendship”. Nine times out of ten, that’s what’s going to happen. Or, if you are a clever parent, you pick up a book like “They All Saw a Cat”. It looks at first glance like it’s just about a cat. Delve a little deeper and you’ll find it about science and art and perception and empathy. And it does it all with very simple sentences, repetition, and a lot of white backgrounds. Not too shabby. Not too shabby at all.“The cat walked through the world, with its whiskers, ears, and paws . . .” In that walking it is seen. It is seen by a child, a dog, and a fox. It is seen by a fish, a mouse, and a bee. It is seen by a bird, a flea, a snake, a skunk, a worm, and a bat. And what's important is that this “seeing” changes with every creature. For mice and dogs, the cat is perceived through the lens of their own interactions with it. For worms and bats the cat is only visible through the ways in which it moves through space (vibrations through the ground and the ways in which echolocation shape it). By the end we see a hodgepodge cat, a mix of how each animal sees it. Then the cat comes to the water, viewing its own reflection, “and imagine what it saw?”The book this actually reminded me of the most was that old Rudyard Kipling story “The Cat Who Walked By Himself”. Unlike that tale we never really get this book from the cat’s perspective. Indeed, the cat is often only visible when others see him. The similarity to Kipling comes with the language. That very first sentence, for example: “The cat walked through the world, with its whiskers, ears, and paws . . .” And as in the original art for that story, the cat here is often pictured from the back. There’s a lot of debate about whether or not a book written by one person and illustrated by another can ever be as strong as a book that is written and illustrated by the same artist. “They All Saw a Cat” makes a fairly strong argument that artist who are also authors are the better way to go. Wenzel’s sentences are so perfectly layered here. If anything, they match the personality of a cat. There aren’t many words, true. But the measured tone is at once soothing and scintillating. I liked how the book broke up the animals. The first three are potential predators. The second three are potential prey. The final six are strict observers. It also ends perfectly with the best possible sentence. Not all picture books, no matter how beautiful they look, are capable of sticking their landings. This one does.In this book the publication page (where they tend to describe the artist’s process) gets a little slaphappy. It reads (and I am quoting this precisely), “The illustrations in this book were rendered in almost everything imaginable, including colored pencil, oil pastels, acrylic paint, watercolor, charcoal, Magic Marker, good old number 2 pencils, and even an iBook.” The other day I was listening to a podcast where one of the speakers speculated that including this kind of information in a book changes the adult reader’s perspective. Would I think less of this book if I found out it was done in digital ink? Possibly, though I should note that I was blown away by the art long before I ever turned to see how it was made. And while digital art is great and has its place, I’d like to see the program that replicates what Wenzel’s done here.The sheer beauty of the book is what strikes you first when you read it. Consider the two-page spread where on the left-hand side you see the cat through snake vision, and on the right-hand side you see the cat through skunk vision. The snake’s view is a vibrant shock of color, all yellows and reds and blues. The skunk’s in contrast, looks like the soft grainy sepia-tones of an old film. Maybe “Casablanca”. Put together, side-by-side, the same cat is its own opposite. But if Wenzel were constantly wowing you with eye-popping images that wouldn’t really support the narrative flow. That’s why the pacing of the book is key. Wenzel starts the book out very slowly, with lots of white backgrounds and views akin to what we see as people. The child, dog, and fox all see the cat similarly (though I loved the oversized bell around its neck, indicating the fox and dog’s superior sense of hearing through a visual medium). The fish is the first moment you start to separate from human visuals. The cat’s large, yellow eyes are 80% of the two pages. But it is the mouse’s Basquiat-esque view of the cat that steals the show. The red background, and the cat all teeth and claws, and terrifying eyes is a far cry from the cuddly creature at the start of the story. It’s also the moment when the child readers come to realize that perception is personal.An interesting criticism of this book is linked precisely to the more science-y aspects of the text. One of the commenters on a blog post I wrote, that included this book, said that, “I desperately wanted some nice science-y back matter to tell us how and why different animals see the cat the way they do. Sure, we can go OH, this animal must be colorblind! This animal ‘sees’ by sonar! But c’mon, throw us an edu-bone here. It felt like such a missed opportunity.” This is an interesting note. We’ve grown used to useful backmatter in this post-Core Curriculum world of ours. Would this book have been stronger if it had contained a science element to it? Yes and no. It would have been a real boon to teachers, you betcha, and probably to perceptive parents who could have turned it into a lesson for young readers. If I had to guess I’d say the reason it wasn’t done may have had something to do with the fact that Wenzel is mixing his fact and fiction here pretty closely. Each animal is “seeing” as it would in the wild, but that is not to say that the art is by any means scientific. The cartoonish quality to the animals (no better exemplified than in the mouse’s bulbous eyes) doesn’t hold up to close scrutiny. I would have very much liked notes on the accuracy of the art, but I can understand the fear of asking the reader to take the work too seriously. I don’t necessarily agree, but I understand it.How do you discuss this book with kids? Well, you might read it to them, start to finish, and then ask them which picture shows what the cat really looks like. When they select (some will go with the human view but I’ve no doubt a couple will prefer the dog or bird p.o.v.s) you then tell them that actually all the pictures in this book are true. And if you really want to blow their little minds, you tell them that there’s a good chance that the way you see the world isn’t the same way the person next to you does. Everyone, everywhere sees the world different from his or her neighbor. Is it any wonder we have problems? The solution is to try and see things from another person’s view. Now, if the kids think you’re speaking literally or figuratively, it doesn’t really matter. You’ve planted the seed. Or, rather, the book has.Let us do away with the notion of “cat people” vs. “dog people”. This book is for “people”. End of sentence. And if I got a little crazy in my first paragraph here, filling you in on my view of world peace via picture books, you’ll understand when you read this book. That tired old phrase to “walk a mile in someone else’s shoes” makes no sense to a kid. But travel a page through another animal’s eyes? There’s never been a better fictional picture book that allows you to do this. If we all see something as simple as a cat this differently, what else might we not see the same? It’s a treat to eye, ear, and mind, but don’t forget. We’re all going to see this book through our own lenses. What will your kids see when they look at it? Only one way to find out.For ages 4-7

I got this for my 5 year old as a gift to celebrate his first day of kindergarten. He's all about trucks and dinosaurs, but when I read this he became fully absorbed by the different perspectives of each creature encountered by the cat. I had to throw in some extra lines to keep the story going, but what a lovely picture book! I wanted to share with my son that out in the big world everyone has a story and different ways of seeing and experiencing things. I'm very glad this book helped me deliver that message. Thanks Brendan Wenzel!

I read this book to a group of pre-schoolers ( ages 3-5-ish) and they were entranced...Many of them seemed to understand that it was different points of view, same cat: some thought ( out loud, as kids this age do!) that it was different cats...but all "got" it. I was surprised that these kids knew about skunks (nothing like that here in NZ!) but they all resonated! And the illustrations are pure genius...they will be adding that book to their library ( I ignored hints that I should leave my copy behind: I want the continuing joy of reading it to my grandchildren!)

Enchanted by the pre-publication book trailer, I ordered 6 copies of this book. One for my library and the others as gifts for children. Lucky kids!The poetic words and beautiful illustrations create a magical study on perception, point of view, curiousity, and imagination.The publisher, Chronicle Books, offers a free activity kit and discussion to download. Don't miss it! There is drawing, a cat mask, coloring, and a pin the collar on the cat game.[...]

this book has beautiful artwork and shows the cat looking different from a bunch of different animals' perspectives. It gives me 2.5yro something to think about and she loves the colors. Since the words are relatively repetitive (the dog saw a cat...the bat saw a cat...), it's easy for her to "read" it herself and study each word.

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